IF u B raised with sisters? Than U well no. But my poetry is er, not so much so good as Jonathan Swift inglish speek.
The Lady’s Dressing Room
By Jonathan Swift
Five hours, (and who can do it less in?)
By haughty Celia spent in dressing;
The goddess from her chamber issues,
Arrayed in lace, brocades and tissues.
Strephon, who found the room was void,
And Betty otherwise employed,
Stole in, and took a strict survey,
Of all the litter as it lay;
Whereof, to make the matter clear,
An inventory follows here.
And first a dirty smock appeared,
Beneath the armpits well besmeared.
Strephon, the rogue, displayed it wide,
And turned it round on every side.
On such a point few words are best,
And Strephon bids us guess the rest,
But swears how damnably the men lie,
In calling Celia sweet and cleanly.
Now listen while he next produces
The various combs for various uses,
Filled up with dirt so closely fixt,
No brush could force a way betwixt.
A paste of composition rare,
Sweat, dandruff, powder, lead and hair;
A forehead cloth with oil upon’t
To smooth the wrinkles on her front;
Here alum flower to stop the steams,
Exhaled from sour unsavory streams,
There night-gloves made of Tripsy’s hide,
Bequeathed by Tripsy when she died,
With puppy water, beauty’s help
Distilled from Tripsy’s darling whelp;
Here gallypots and vials placed,
Some filled with washes, some with paste,
Some with pomatum, paints and slops,
And ointments good for scabby chops.
Hard by a filthy basin stands,
Fouled with the scouring of her hands;
The basin takes whatever comes
The scrapings of her teeth and gums,
A nasty compound of all hues,
For here she spits, and here she spews.
But oh! it turned poor Strephon’s bowels,
When he beheld and smelled the towels,
Begummed, bemattered, and beslimed
With dirt, and sweat, and earwax grimed.
No object Strephon’s eye escapes,
Here petticoats in frowzy heaps;
Nor be the handkerchiefs forgot
All varnished o’er with snuff and snot.
The stockings why should I expose,
Stained with the marks of stinking toes;
Or greasy coifs and pinners reeking,
Which Celia slept at least a week in?
A pair of tweezers next he found
To pluck her brows in arches round,
Or hairs that sink the forehead low,
Or on her chin like bristles grow.
The virtues we must not let pass,
Of Celia’s magnifying glass.
When frightened Strephon cast his eye on’t
It showed visage of a giant.
A glass that can to sight disclose,
The smallest worm in Celia’s nose,
And faithfully direct her nail
To squeeze it out from head to tail;
For catch it nicely by the head,
It must come out alive or dead.
Why Strephon will you tell the rest?
And must you needs describe the chest?
That careless wench! no creature warn her
To move it out from yonder corner;
But leave it standing full in sight
For you to exercise your spite.
In vain the workman showed his wit
With rings and hinges counterfeit
To make it seem in this disguise
A cabinet to vulgar eyes;
For Strephon ventured to look in,
Resolved to go through thick and thin;
He lifts the lid, there needs no more,
He smelled it all the time before.
As from within Pandora’s box,
When Epimetheus op’d the locks,
A sudden universal crew
Of human evils upwards flew;
He still was comforted to find
That Hope at last remained behind;
So Strephon lifting up the lid,
To view what in the chest was hid.
The vapors flew from out the vent,
But Strephon cautious never meant
The bottom of the pan to grope,
And foul his hands in search of Hope.
O never may such vile machine
Be once in Celia’s chamber seen!
O may she better learn to keep
Those “secrets of the hoary deep!”
As mutton cutlets, prime of meat,
Which though with art you salt and beat
As laws of cookery require,
And toast them at the clearest fire;
If from adown the hopeful chops
The fat upon a cinder drops,
To stinking smoke it turns the flame
Pois’ning the flesh from whence it came,
And up exhales a greasy stench,
For which you curse the careless wench;
So things, which must not be expressed,
When plumped into the reeking chest,
Send up an excremental smell
To taint the parts from whence they fell.
The petticoats and gown perfume,
Which waft a stink round every room.
Thus finishing his grand survey,
Disgusted Strephon stole away
Repeating in his amorous fits,
Oh! Celia, Celia, Celia shits!
But Vengeance, goddess never sleeping
Soon punished Strephon for his peeping;
His foul imagination links
Each Dame he sees with all her stinks:
And, if unsavory odors fly,
Conceives a lady standing by:
All women his description fits,
And both ideas jump like wits:
But vicious fancy coupled fast,
And still appearing in contrast.
I pity wretched Strephon blind
To all the charms of female kind;
Should I the queen of love refuse,
Because she rose from stinking ooze?
To him that looks behind the scene,
Satira’s but some pocky queen.
When Celia in her glory shows,
If Strephon would but stop his nose
(Who now so impiously blasphemes
Her ointments, daubs, and paints and creams,
Her washes, slops, and every clout,
With which he makes so foul a rout)
He soon would learn to think like me,
And bless his ravished sight to see
Such order from confusion sprung,
Such gaudy tulips raised from dung.
(Edited 38 seconds later.)
@previous (Metæ)
"In response to the piece, I was horrified and angered. Swift illustrates women as creatures who take too much pride in their appearance and thus are deceitful people. He spends the majority of his poem degrading women. The two lines that hit me the most are the last two which read, “Such order from confusion sprung/Such gaudy tulips raised from dung.” These two lines express Swift’s whole perspective on the women population. Women take too much pride in themselves but are truly nothing but dung, dirt, crap. To think that one poem could contain such degrading and unfathomable expressions is incomprehensible to me. Swift is a clear misogynist who knows nothing about the true intentions of a woman, such as myself. I do take pride in my appearance. On occasions I take the time (not the exaggerated five hours that Swift sarcastically writes) to make myself appear a certain way. I do not do this to deceive men or because I believe myself to be better than others. I do so because I am a woman. I am a feminine being who likes to show that femininity through my choice in clothing, and though I am feminine that does not make me part of the patriarchal society. (I believe that even in a dress I can dominate in what is supposed to be a male role, a career field, strength, hard labor, etc.) Though I take pride in my appearance as Celia does I am not deceiving nor am I hiding my grotesque nature (as Swift would like to say). Swift is simply a man who believes in a patriarchal society where the women must not overstep their bounds. Taking pride in appearance or even the work of a woman would be impossible for Swift and he believes that any woman who does so herself is simply a “…gaudy tulip raised from dung” but I believe Swift to be the dung that those beautiful tulips are tainted with and his character Strephon to be the average Neanderthal that follows along."
-- some dumb cunt
I've cleaned public restrooms for years. I always dread doing the female's restroom everywhere I go. They are gross... Really, really gross. I was shy around girls because I felt they were so perfect... That is, until I saw for myself how messy and stinky they can leave a restroom.
(Edited 23 seconds later.)
@577,228 (F)
We have to take into account several factors. First, Swift wrote this in 1732 and of course, cosmetics, clothing, hygiene, and plumbing were far more primitive back then. A daily hot shower (for either sex) would have been unimaginable. Second, as a satirist it's clear Swift exaggerated a bit in the name of poetic license. If you think about it, the shock isnt that Celia has snotty handkerchiefs and smelly underwear (Strephon's laundry hamper is no bed of roses, either) but that, as a woman, she's not all sugar and spice — there's a lot of mess behind the beauty. Even today, women go through piles of cotton balls and q tips and innumerable bottles of lotions and cleansers, not to mention all the foundation and eyeliner and concealer and eyeshadow and mascara and lip pencils and blush and on and on and on to maintain feminine beauty. So the shock is not that women are gross but all the work and mess that women have to keep up with to look like women, which women usually go to some effort to keep from men.
(Edited 4 minutes later.)
@previous (A)
Blood all over the toilet seat, under the toilet seat, on the walls, and the floor. Same goes for piss and shit. It pisses me off, especially when I see they somehow managed to get pee on the toilet seat. It makes me wonder if trannies pee in there. The trash cans are always filled to the top and they start throwing the trash on the floor. The tampon trash holder next to the toilet is filled with tissue that has been stuffed in their butt and vagina. I'm like, why not just flush it? Oh, and they don't flush their mess that they make either most of the time. They sit at computers all day, so I have no idea why they're so damn lazy.