Topic: Is it wrong of me to love the story of Genesis?
Anonymous A started this discussion 15 years ago #15,258
I'm an atheist myself, but there is something about the story of Genesis that I like. I think it's just the two characters. And why do I wish I were Eve?
Fake anon !ZkUt8arUCU joined in and replied with this 15 years ago, 3 minutes later[^] [v] #267,204
@OP
Nah, I really like the story too. I think it's a very sweet, albeit primitive, attempt to explain why human beings naturally seek romantic companionship.
Nah, I really like the story too. I think it's a very sweet, albeit primitive, attempt to explain why human beings naturally seek romantic companionship.
(Edited 14 seconds later.)
kook !nH6RAuX8mo joined in and replied with this 15 years ago, 2 minutes later, 6 minutes after the original post[^] [v] #267,206
two people with no sense of right or wrong were horrible punished for misbehaving.
hamfist !!mZuNK1i+C joined in and replied with this 15 years ago, 4 minutes later, 10 minutes after the original post[^] [v] #267,207
Yeah my favorite character is Rei
last two episodes suck though
last two episodes suck though
(Edited 36 seconds later.)
Anonymous E joined in and replied with this 15 years ago, 28 minutes later, 39 minutes after the original post[^] [v] #267,213
Anonymous A (OP) replied with this 15 years ago, 42 seconds later, 39 minutes after the original post[^] [v] #267,214
derp joined in and replied with this 15 years ago, 12 minutes later, 52 minutes after the original post[^] [v] #267,217
hamfist !!mZuNK1i+C replied with this 15 years ago, 7 minutes later, 59 minutes after the original post[^] [v] #267,218
@267,213 (E)
It was interesting but End of Eva was much better while still getting all psychological
It was interesting but End of Eva was much better while still getting all psychological
hamfist !!mZuNK1i+C double-posted this 15 years ago, 40 seconds later, 1 hour after the original post[^] [v] #267,219
Anonymous G joined in and replied with this 15 years ago, 7 minutes later, 1 hour after the original post[^] [v] #267,223
The Story of Genesis
Genesis was formed in 1967 when Peter Gabriel and Tony Banks were students at Charterhouse School in Godalming. Formed out of school bands Garden Wall and The Anon, Genesis's original line-up consisted of Peter Gabriel (vocals), Anthony Phillips (guitar), Tony Banks (keyboards), Mike Rutherford (bass & guitar) and Chris Stewart (drums). The group (minus Stewart) originally formed as a songwriting partnership with no intention of performing, but with more and more bands writing their own songs, there was no demand for a team of young and inexperienced songwriters.
Charterhouse School alumnus Jonathan King attended a concert at Charterhouse in 1968 while the band was still in school. Following the concert, another student gave King a tape of songs the band had recorded and King thought enough of them to sign them to a recording contract. King was a songwriter and record producer who had a hit single at the time, "Everyone's Gone to the Moon". King named the band Genesis (after previously suggesting the name Gabriel's Angels), recalling that he had "thought it was a good name... it suggested the beginning of a new sound and a new feeling."
The resulting album, From Genesis to Revelation, was released on Decca Records in March 1969. During the sessions, Stewart was replaced by John Silver on drums. The band recorded a series of songs influenced by the light pop style of the Bee Gees, one of King's favourite bands at the time. King assembled the tracks as a concept album, and added string arrangements during the production. Their first single, "The Silent Sun", was released in February 1968. The album sold poorly but the band, on advice from King, decided to pursue a career in music. King holds the rights to the songs on the From Genesis to Revelation album and has re-released it many times under a variety of names, including In the Beginning, Where the Sour Turns to Sweet, Rock Roots: Genesis, ...And the Word Was and, most recently, The Genesis of Genesis.
Silver was replaced by John Mayhew before the recording of Trespass. Genesis then secured a new recording contract with Charisma Records. The band built a following through live performances which featured the band's hypnotic, dark and haunting melodies and Gabriel's numerous eye-catching costumes.
Trespass, which was made from many of the songs the band had written during their earliest live shows, was the template for the band's albums in the 1970s – lengthy, sometimes operatic pieces resembling the style of progressive rock bands such as King Crimson, Yes and Gentle Giant, along with the occasional shorter and more accessible, sometimes humorous, number. Trespass included progressive rock elements such as elaborate arrangements and time signature changes, as in the nine-minute song "The Knife".
Ill health and recurring stage fright caused Phillips to leave the band in the summer of 1970. Phillips would later record many solo albums, sometimes in collaboration with other Genesis members. Phillips's departure traumatised Banks and Rutherford, causing the band to doubt whether it could continue. However, the remaining members decided to carry on, replacing Mayhew and Phillips with Phil Collins on drums and Mick Barnard on guitar in the autumn of 1970. Barnard's tenure was short-lived, and the band brought in Steve Hackett, formerly of Quiet World, on guitar in January 1971.
Collins and Hackett made their studio debut in 1971 on Nursery Cryme, which features "The Musical Box" and Collins's first lead vocal performance in "For Absent Friends", the song was also the first written by new members Collins and Hackett within the band. Two engineers were hired and then quit before John Burns took over during the recording of their next album, and this began a successful three-album collaboration between Burns and the group. Foxtrot was released in October 1972 and contains what has been described as "one of the group's most accomplished works", the 23-minute multi-part epic "Supper's Ready". Songs such as the Arthur C. Clarke-inspired "Watcher of the Skies" solidified their reputation as songwriters and performers. Gabriel's flamboyant and theatrical stage presence, which involved numerous and elaborate costumes and surreal spoken song introductions, made the band a popular live act. Genesis Live, was recorded on the Foxtrot tour in 1973, shortly before the band's upcoming album was released.
Selling England by the Pound was released in November 1973 and was well received by critics and fans. Gabriel insisted on the title, a reference to a current Labour Party slogan, in an effort to counter the impression that Genesis was becoming too US-oriented. The album contains "Firth of Fifth" and "I Know What I Like (In Your Wardrobe)"; these songs became part of their live repertoire, with the latter becoming their first charting single, reaching No. 17 on the UK singles charts.
During this period Hackett became an early user of the electric guitar "tapping" technique, which was later popularised by Eddie Van Halen, as well as "sweep-picking", which was popularised in the 1980s by Yngwie Malmsteen. These guitar techniques were incorporated in the song "Dancing with the Moonlit Knight". At the same time, the band signed with new manager Tony Smith, who published all subsequent Genesis songs through his company Hit & Run Music Publishing.
In 1974, Genesis recorded a double disc concept album The Lamb Lies Down on Broadway which was released on 18 November. In contrast to the lengthy tracks featured on earlier albums, The Lamb Lies Down on Broadway is a collection of shorter tracks, connected by a number of segues. The story describes the spiritual journey of Rael, a Puerto Rican youth living in New York City, and his quest to establish his freedom and identity. During his adventure, Rael encounters several bizarre characters including the Slippermen and The Lamia, the latter being borrowed from Greek mythology and influenced by a poem by Keats.
The band embarked on a world tour to promote the album, performing it 102 times in its entirety, with Gabriel adding spoken narration. This choice of set was soon regretted by the band members, since it lacked the variety of playing material from throughout their career and compelled them to perform songs which didn't work well live. During their live performances, Genesis pioneered the use of lasers and other light effects, most of which were built by the Dutch technician Theo Botschuijver. A customised handheld unit was used to channel laser light, which allowed Gabriel to sweep the audience with various light effects.
Creating the ambitious The Lamb Lies Down on Broadway album strained relations between band members, particularly Banks and Gabriel, who were good friends. Gabriel was the album's lyricist, while the other band members (chiefly Banks and Rutherford) wrote the music, with the exception of "Counting Out Time" and "The Carpet Crawlers". "The Light Dies Down on Broadway" was co-authored by Banks and Rutherford. The other-worldly, blurbling, sequenced synth sounds and shattering glass loops in the track "The Waiting Room", as well as the vocal effects in the track "The Grand Parade of Lifeless Packaging" coined "Enossifications", were produced by the ambient composer Brian Eno.
During the Lamb tour, Gabriel announced to his bandmates that he had decided to leave the band, citing estrangement from the other members, and the strains of his marriage and the difficult birth of his first child. Nonetheless, he saw his commitment through to the conclusion of the tour. In a letter to fans, delivered through the music press at the end of the tour, entitled Out, Angels Out, Gabriel explained that the "...vehicle we had built as a co-op to serve our songwriting became our master and had cooped us up inside the success we had wanted. It affected the attitudes and the spirit of the whole band. The music had not dried up and I still respect the other musicians, but our roles had set in hard." Collins later remarked that the other members "...were not stunned by Peter's departure because we had known about it for quite a while." The band decided to carry on without Gabriel.
Gabriel's first solo album, Peter Gabriel 1977, features the hit single "Solsbury Hill", an allegory that refers to his departure from the band.
The group auditioned reportedly over 400 lead singers to find a replacement for Gabriel. Phil Collins, who had provided backing vocals, coached prospective replacements. Eventually, the band decided to use Collins as the lead vocalist for 1976's A Trick of the Tail. The new producer David Hentschel, who had served as engineer on Nursery Cryme, gave the album a clearer-sounding production. Music historians later commented that Collins sounded "more like Gabriel than Gabriel did".
Despite the success of the album, the group remained concerned with their live shows, which now lacked Gabriel's elaborate costume changes and dramatic behaviour. Since Collins required the assistance of a second drummer while he sang, Bill Bruford, drummer for Yes and King Crimson was hired for the 1976 tour. Their first live performance without Peter Gabriel was on 26 March 1976, in London, Ontario, Canada.
Later that year, Genesis recorded Wind & Wuthering, the first of two albums recorded at the Relight Studios in Hilvarenbeek in the Netherlands. Released in December 1976, the album took the second part of its title from Emily Brontë's novel Wuthering Heights, whose last lines—"how anyone could ever imagine unquiet slumbers for the sleepers in that quiet earth"—inspired the titles of the seventh and eighth tracks.
For the 1977 Genesis tour, the jazz fusion-trained Chester Thompson—a veteran of Weather Report and Frank Zappa—took on live drumming duties. Collins' approach to Genesis shows differed from the theatrical performances of Gabriel, and his interpretations of older songs were lighter and more subtle. At the 1982 Milton Keynes reunion show, Gabriel admitted that Collins sang the songs "better", though never "quite like" him.
Guitarist Hackett had become increasingly disenchanted with the band by the time of Wind & Wuthering's release, and he felt confined. He was the first member of the band to record a solo album, 1975's Voyage of the Acolyte, and greatly enjoyed the feelings of control over the recording process that working within a group could not provide. Hackett had asked that a quarter of Wind & Wuthering be allocated to Hackett's songs, which Collins described as "a dumb way to work in a band context". While Hackett was given songwriting credits on the instrumental track "Unquiet Slumbers for the Sleepers..."/"...In That Quiet Earth" , the Hackett/Collins "Blood on the Rooftops" was never performed live, and his song "Please Don't Touch" (which appeared as the title track to his 1978 solo album) was rejected by the rest of the band, who opted for the shorter and catchier instrumental "Wot Gorilla?" which closes Side 1. Hackett left the band following the release of the 1977 Spot the Pigeon EP while the band was mixing the live album Seconds Out, which was recorded during the 1976 and 1977 tours.
Following the departure of Hackett, Rutherford took on guitar duties in the studio and the band was getting closer to a balance of what each member provided from a creative standpoint. The group decided to continue as a trio, a fact they acknowledged in the title of the 1978 album ...And Then There Were Three.... The album was a further move away from lengthy progressive epics, and yielded their first American radio hit, "Follow You Follow Me", whose popularity led to ...And Then There Were Three... being the band's first U.S. Platinum-certified album.
For live performances that year, Rutherford alternated again between guitar and bass with Daryl Stuermer, formerly guitarist with Jean-Luc Ponty's band. Generally, Rutherford played the guitar pieces he composed during the most recent album, but stuck with bass for all of the material recorded prior to 1978. Their 1978 world tour took them across North America, over to Europe, back to North America, and, eventually, to their first performances in Japan at the end of 1978.
As the band had been recording and touring constantly since the winter of 1977–78, it was decided by Banks, Collins, and Rutherford to take the majority of 1979 off. Collins had previously informed his bandmates that he needed to attempt to save his marriage by following his wife to her new home in Vancouver. If they planned to go back into the studio, they were going to have to count him out. Banks and Rutherford responded by proposing that the band go into hiatus while he sorted out his family issues and record solo material in the meantime.
After his attempt to save his marriage (which ended in divorce), Collins returned to the UK in August 1979, and found himself in a holding pattern while Banks and Rutherford were working on solo recordings. With time to spare and new equipment in his home, Collins immersed himself in the recording of home demos that would become his first solo album Face Value (released in 1981) and provide two songs for the upcoming Genesis project. In addition, he rejoined Brand X for their 1979 tour, and appeared on their album Product. When the three bandmates came back together to begin recording their next album, Duke, the product was much more the result of all three working together equally. Duke was the real transition from their 1970s progressive rock sound to the 1980s pop era. The use of a drum machine became a consistent element on subsequent Genesis albums, as well as on Collins's solo releases. The first Genesis song to feature a drum machine was the Duke track "Duchess". The more commercial Duke was well received by the mainstream media, and was the band's first UK number one album, while the tracks "Misunderstanding" and "Turn It On Again" became live performance favourites.
Duke was followed by Abacab, which features a collaboration with the Earth, Wind & Fire horn section on the track "No Reply at All". Much of the album's rehearsals took place at The Farm, the band's newly-built studio in Surrey, and the site where all of their subsequent albums were recorded. The album used a forceful drum sound which used an effect called gated reverb, which uses a live—or artificially reverberated—sound relayed through a noise gate set, which rapidly cuts off when a particular volume threshold is reached. This results in a powerful "live" sounding, yet controlled, drum ambiance. The distinctive sound was first developed by Peter Gabriel, Collins, and their co-producer/engineer Hugh Padgham, when Collins was recording the backing track for "Intruder", the first song on Gabriel's 1980 solo album. The technique, in addition to Padgham's production, had been apparent on Face Value. The "gated" drum sound would become an audio trademark of future Genesis and Collins albums.
The Abacab tour also marked the first public appearances of the Vari-Lite automated moving light system, the development of which had been paid for by the band and their management.
In 1982, the band released the live double album Three Sides Live. The U.S. version contains three sides of live material—hence the album's title—in addition to a side of studio material. The studio material includes the song "Paperlate", which again features an Earth, Wind and Fire horn section. In the UK and the rest of Europe, the studio material was replaced by a fourth side of live recordings from previous tours. 1982 closed with a one-off performance alongside Gabriel and Hackett at the Milton Keynes Bowl, under the name Six of the Best. The concert was hastily put together to help raise money for Gabriel's WOMAD project, which at the time was suffering from considerable financial hardship. Hackett, who arrived late from South Africa, performed the final two songs of the show ("I Know What I Like (In Your Wardrobe)" and "The Knife") with his former bandmates.
1983's eponymous Genesis album became their third consecutive number one album in the UK. The album includes the radio-friendly tracks "Mama" and "That's All". The track "Just a Job to Do" was later used as the theme song for 1985's ABC detective drama The Insiders. The final cut to hit the airwaves was "Taking It All Too Hard", which in addition to being highly played on AOR radio, crossed over to soft rock radio stations and became a fixture for 20 years. The album became a worldwide success.
Genesis' highest-selling album, Invisible Touch, was released in 1986, at the height of Collins' popularity as a solo artist. The album yielded five U.S. Top 5 singles: "Throwing It All Away", "In Too Deep", "Tonight, Tonight, Tonight", "Land of Confusion" and "Invisible Touch". The title track reached #1 in the United States; the only Genesis song to do so; however, it stalled at #15 in the UK. In September 1986, Genesis performed "Throwing It All Away" at the 1986 MTV Video Music Awards in Los Angeles. In July 1987, Genesis became the first band to play four sold out consecutive nights at Wembley Stadium. Genesis was the first band to use Vari*Lite technology, and the Prism sound system, all of which are now standard features of arena rock concerts.
Earlier that year, Collins viewed a spoof of himself on Spitting Image, a satirical British television show which used puppets to lampoon politicians and celebrities. He was impressed with the representation, and commissioned the show's creators, Peter Fluck and Roger Law, to work on the video for the "Land of Confusion" single. The video was formed as an ironic commentary on the Cold War, and played on the perception that the coalition's leaders were "trigger happy" with the nuclear "button". In addition to puppet representations of Banks, Collins and Rutherford, the video showed Ronald Reagan dressed as Superman. It was nominated for the MTV Video of the Year, losing to Gabriel's "Sledgehammer".
"Tonight, Tonight, Tonight" was used in a Michelob commercial—as was Collins' "In the Air Tonight"—while "In Too Deep" was featured in the film Mona Lisa. The instrumental "The Brazilian", appeared in the animated movie When the Wind Blows, alongside a score written by Roger Waters. At the 1988 Prince's Trust concert held in the Royal Albert Hall, Collins and Gabriel performed together for the first time since 1982. Collins was drummer for the house band, while Gabriel performed his hit single "Sledgehammer". As of September 2007, the two Genesis frontmen have not publicly played together since, although they did play together at Gabriel's wedding in 2002.
After a hiatus of five years, Genesis reconvened for the 1991 release of We Can't Dance, which was to be Collins' last studio album with the group. The album features the hit singles "Jesus He Knows Me", "I Can't Dance", "No Son of Mine", "Hold on My Heart", "Tell Me Why" and "Never a Time" (a U.S. release only), as well as lengthy pieces such as "Driving the Last Spike" and "Fading Lights". The album which was produced by Nick Davis includes "Since I Lost You", which Collins wrote in memory of Eric Clapton's son Conor.
Collins left the band in March 1996. He reasoned that he "felt it time to change direction in my musical life. For me now, it will be music for movies, some jazz projects, and of course my solo career. I wish the guys in Genesis all the very best in their future. We remain the best of friends."
Rutherford and Banks decided to continue as Genesis. However, they required more than one new member, because the band had lost not only Collins, but also the live musicians Daryl Stuermer and Chester Thompson. Stuermer was approached, but was touring with Collins at the time; Thompson inquired regarding the vacant drum stool, but after he was refused full-band membership, he ended his 19-year association with the band. Eventually, drumming duties were shared between Nir Zidkyahu, an Israeli session drummer who had played with Hidden Persuaders, and Nick D'Virgilio, from the progressive rock band Spock's Beard. The difference in their playing styles was marked; D'Virgilio played softer, more subtle rhythms in comparison to Zidkyahu's bombastic technique.
Ex-Stiltskin singer Ray Wilson was appointed as the new lead singer of Genesis. Other candidates had included Paul Carrack from Rutherford's Mike + The Mechanics, Francis Dunnery (ex-It Bites), David Longdon (ex-Louis Philippe band), Alan Barton (ex-Black Lace) and ex-Marillion vocalist—and two-time Banks collaborator—Fish. Kevin Gilbert was offered an audition just before his death in 1996. On the band's criteria in the search for a singer, Banks noted: "We needed someone who fits as many of the things you require as possible—being able to improvise with the kind of music we write and also someone capable of jumping in at the deep end and fronting a band." Wilson was immediately incorporated into the songwriting process, being given "half-a-dozen" songs to work on and ending up with three co-writing credits on the final album.
The first of two box sets, the well-received Genesis Archive 1967–75.
1997's Calling All Stations sold well in Europe, while the track "Congo" reached #29 in the UK. The album was not as successful in America, where it failed to reach the Billboard Top 50. During 1997 and 1998, Genesis toured across Europe; Banks, Rutherford, and Wilson were joined live by Zidkyahu and the guitarist Anthony Drennan, who previously worked with Paul Brady and The Corrs. However, a planned American tour was cancelled due to the album's poor sales performance. Following the truncation of the Calling All Stations tour, Genesis dismissed Wilson and went on an extended hiatus, although the members remained in regular contact. In an April 2007 interview, Wilson expressed his disgust at how his dismissal was handled, saying "it was like death by silence." He also said he regretted his time spent with the band, feeling uncomfortable as a self-described "working class" man with the wealthier likes of Banks and Rutherford, and also revealed one of Phil Collins's assistants told him Collins "wasn't happy that they had continued."
In 1998, the group gathered for a photo session and dinner to celebrate the release of the box set, Genesis Archive 1967–75. In 1999, the 1971–75 lineup of Banks, Collins, Gabriel, Hackett and Rutherford recorded a new version of "The Carpet Crawlers" for the Turn It On Again: The Hits compilation. In 2000, Collins, Banks, and Rutherford along with Daryl Stuermer performed acoustic renditions of "I Can't Dance", "Invisible Touch", "Follow You, Follow Me," and "Turn It On Again" at the Music Managers Forum, in honour of their manager Tony Smith. Most of the original members were involved in compiling the two Archive boxed-sets. Acoustic versions of "Afterglow", "No Son of Mine" and "Follow You, Follow Me" were recorded for a documentary film about the band's history at this time.
After much speculation regarding a reunion, Banks, Collins and Rutherford announced Turn It On Again: The Tour on 7 November 2006; nearly 40 years after the band first formed. The tour took place during summer 2007, and played twelve countries across Europe, followed by a second leg in North America. The trio had wanted to reunite as a five-piece with Gabriel and Hackett for a live performance of The Lamb Lies Down on Broadway. While Gabriel reportedly agreed in principle to perform, he was unable to commit to a date. Collins later observed that "Peter is a little over-cautious about going back to something which fundamentally is just fun". Hackett agreed to participation, but without Peter joining in on the tour, Phil, Tony and Mike thought that it would be more appropriate to bring back Chester Thompson and Daryl Stuermer. Hackett, however still maintains good relations with the rest of the band. A short note expressing his good wishes for the reunion tour currently appears on his Web site.
The band and producer since 1991, Nick Davis, remixed their back catalogue (into 5.1 and new stereo mixes) for release in three batches over the course of 2007 and 2008, each comprising a third of the band's albums (from Trespass to Calling All Stations) in a boxset-style release. Each album is presented as a double-disc set containing a multi-channel hybrid Super Audio CD, as well as a DVD-Video with DTS 24bit/96K and Dolby Digital 24bit/48K 5.1 tracks. The DVDs also include extras such as promo videos, live performances, TV appearances, tour programmes and new interviews in which the band discuss the period surrounding each album. (For the US and Canada pressings, the audio discs are regular CDs and not SACD hybrids.) These remasters were released in three box sets: Genesis 1976–1982 in May 2007, Genesis 1983–1998 in October 2007, and Genesis 1970–1975 in November 2008, in addition to each album being released individually. Each box set contains the albums from its designated time period, as well as a bonus CD/DVD-A of non-album tracks.
On 12 May 2007, the band was an honouree at the second annual VH1 Rock Honors, along with Ozzy Osbourne, Heart and ZZ Top. Genesis performed "Turn It On Again", "No Son of Mine" and "Los Endos", which later was broadcast on VH1 in the U.S. on 25 May 2007. On 11 June 2007 Genesis officially kicked off their 2007 Turn It On Again World Tour in Helsinki, Finland. The band performed over 50 shows in several countries including Denmark, Belgium, Germany, Poland, France, Italy, Great Britain, the United States and Canada. The German show was broadcast live to several cinemas across the UK and Europe. On 7 July 2007, Genesis participated at Live Earth, a series of concerts to promote action to confront global climate change at the new Wembley Stadium in London, along with other artists including Madonna, Duran Duran and Red Hot Chili Peppers.
In an August 2007 interview, Collins has stated that the recording of a new album is currently "very, I repeat, very unlikely", citing a lack of both time and inspiration. However, Banks, on 22 August, stated "The three of us would be quite keen to have a go and see what happens."
On 2 October, Starbucks released the CD Sampler Genesis: 14 From Our Past. The track list is: "The Knife", "Happy The Man", "Watcher of the Skies", "I Know What I Like", "The Lamb Lies Down on Broadway", "Squonk", "Your Own Special Way", "Follow You, Follow Me", "Turn It On Again", "Abacab", "That's All", "Land of Confusion", "Hold on My Heart" and "Congo".
An album of the reunion tour, entitled Live Over Europe 2007 was released in November of that year. The tracklist features a balanced set list covering most of their career. None of the songs recorded during Ray Wilson's time with the band were featured. In addition to the aforementioned album, sound deck recordings of each show were released by "The Music" A DVD of the concert on 14 July 2007 in Rome's Circo Massimo, When in Rome 2007 was released on 26 May. A microsite has been launched to accompany the release: www.wheninromedvd.com.
In an interview to celebrate the release of the Genesis: 1970–1975 boxset, Tony Banks revealed that it is a possibility that the band may reunite with Peter Gabriel and Steve Hackett. He said: "We've never said 'never' about it, you know. I know Phil (Collins) would be quite happy with the idea of just playing the drums; it would be quite fun for him. Mike (Rutherford) and I are certainly happy to do it. I know Steve (Hackett) is keen as well. I think it'd be down to Peter (Gabriel) more than anyone else." However, Collins has stated in various interviews that he is unable to play the drums due to a medical ailment. "After playing drums for 50 years, I've had to stop. My vertebrae have been crushing my spinal cord because of the position I drum in. It comes from years of playing. I can't even hold the sticks properly without it being painful, I even used to tape the sticks to my hands to get through."
On 10 September 2009, Collins revealed in a post on the official Genesis website that during the 2007 Turn It On Again tour, he dislocated a vertebra in his neck which has required surgery to repair. The injury and resulting recovery has made it "impossible to play the drums or piano" according to the article. However, Collins states that in a years time or more this situation could change. Future plans for any Genesis reunion could hinge on Collins' ability to recover and play the drums again.
On 21 September 2009, Genesis released Genesis Live 1973–2007, a box set containing remixed and remastered editions of the band's first four live albums. The box includes Genesis Live and Seconds Out in both stereo and 5.1 surround sound versions, and Three Sides Live and The Way We Walk in stereo-only editions. On 23 November 2009, the band released a box set of live concert videos filmed between 1981 and 1992.
On 15 March 2010, Genesis was inducted into the Rock and Roll Hall of Fame. The band was inducted by Phish guitarist Trey Anastasio. Collins, Banks, Rutherford and Steve Hackett appeared at the ceremony, but Peter Gabriel did not appear due to rehearsals for his solo tour to support his new solo album Scratch My Back. Genesis did not perform at the ceremony. Phish paid tribute to them by opening the show with "Watcher of the Skies" and then followed Anastasio's speech with a version of "No Reply at All".
In an interview with Rolling Stone on 27 September 2011, Peter Gabriel said that a reunion with the classic lineup is still a possibility, but hopes remain very slim, stating "I won't say never ever, but it's in the outside department of the betting shop...if you stick with the stuff that nourishes you the most then you'll probably be the happiest."
Genesis was formed in 1967 when Peter Gabriel and Tony Banks were students at Charterhouse School in Godalming. Formed out of school bands Garden Wall and The Anon, Genesis's original line-up consisted of Peter Gabriel (vocals), Anthony Phillips (guitar), Tony Banks (keyboards), Mike Rutherford (bass & guitar) and Chris Stewart (drums). The group (minus Stewart) originally formed as a songwriting partnership with no intention of performing, but with more and more bands writing their own songs, there was no demand for a team of young and inexperienced songwriters.
Charterhouse School alumnus Jonathan King attended a concert at Charterhouse in 1968 while the band was still in school. Following the concert, another student gave King a tape of songs the band had recorded and King thought enough of them to sign them to a recording contract. King was a songwriter and record producer who had a hit single at the time, "Everyone's Gone to the Moon". King named the band Genesis (after previously suggesting the name Gabriel's Angels), recalling that he had "thought it was a good name... it suggested the beginning of a new sound and a new feeling."
The resulting album, From Genesis to Revelation, was released on Decca Records in March 1969. During the sessions, Stewart was replaced by John Silver on drums. The band recorded a series of songs influenced by the light pop style of the Bee Gees, one of King's favourite bands at the time. King assembled the tracks as a concept album, and added string arrangements during the production. Their first single, "The Silent Sun", was released in February 1968. The album sold poorly but the band, on advice from King, decided to pursue a career in music. King holds the rights to the songs on the From Genesis to Revelation album and has re-released it many times under a variety of names, including In the Beginning, Where the Sour Turns to Sweet, Rock Roots: Genesis, ...And the Word Was and, most recently, The Genesis of Genesis.
Silver was replaced by John Mayhew before the recording of Trespass. Genesis then secured a new recording contract with Charisma Records. The band built a following through live performances which featured the band's hypnotic, dark and haunting melodies and Gabriel's numerous eye-catching costumes.
Trespass, which was made from many of the songs the band had written during their earliest live shows, was the template for the band's albums in the 1970s – lengthy, sometimes operatic pieces resembling the style of progressive rock bands such as King Crimson, Yes and Gentle Giant, along with the occasional shorter and more accessible, sometimes humorous, number. Trespass included progressive rock elements such as elaborate arrangements and time signature changes, as in the nine-minute song "The Knife".
Ill health and recurring stage fright caused Phillips to leave the band in the summer of 1970. Phillips would later record many solo albums, sometimes in collaboration with other Genesis members. Phillips's departure traumatised Banks and Rutherford, causing the band to doubt whether it could continue. However, the remaining members decided to carry on, replacing Mayhew and Phillips with Phil Collins on drums and Mick Barnard on guitar in the autumn of 1970. Barnard's tenure was short-lived, and the band brought in Steve Hackett, formerly of Quiet World, on guitar in January 1971.
Collins and Hackett made their studio debut in 1971 on Nursery Cryme, which features "The Musical Box" and Collins's first lead vocal performance in "For Absent Friends", the song was also the first written by new members Collins and Hackett within the band. Two engineers were hired and then quit before John Burns took over during the recording of their next album, and this began a successful three-album collaboration between Burns and the group. Foxtrot was released in October 1972 and contains what has been described as "one of the group's most accomplished works", the 23-minute multi-part epic "Supper's Ready". Songs such as the Arthur C. Clarke-inspired "Watcher of the Skies" solidified their reputation as songwriters and performers. Gabriel's flamboyant and theatrical stage presence, which involved numerous and elaborate costumes and surreal spoken song introductions, made the band a popular live act. Genesis Live, was recorded on the Foxtrot tour in 1973, shortly before the band's upcoming album was released.
Selling England by the Pound was released in November 1973 and was well received by critics and fans. Gabriel insisted on the title, a reference to a current Labour Party slogan, in an effort to counter the impression that Genesis was becoming too US-oriented. The album contains "Firth of Fifth" and "I Know What I Like (In Your Wardrobe)"; these songs became part of their live repertoire, with the latter becoming their first charting single, reaching No. 17 on the UK singles charts.
During this period Hackett became an early user of the electric guitar "tapping" technique, which was later popularised by Eddie Van Halen, as well as "sweep-picking", which was popularised in the 1980s by Yngwie Malmsteen. These guitar techniques were incorporated in the song "Dancing with the Moonlit Knight". At the same time, the band signed with new manager Tony Smith, who published all subsequent Genesis songs through his company Hit & Run Music Publishing.
In 1974, Genesis recorded a double disc concept album The Lamb Lies Down on Broadway which was released on 18 November. In contrast to the lengthy tracks featured on earlier albums, The Lamb Lies Down on Broadway is a collection of shorter tracks, connected by a number of segues. The story describes the spiritual journey of Rael, a Puerto Rican youth living in New York City, and his quest to establish his freedom and identity. During his adventure, Rael encounters several bizarre characters including the Slippermen and The Lamia, the latter being borrowed from Greek mythology and influenced by a poem by Keats.
The band embarked on a world tour to promote the album, performing it 102 times in its entirety, with Gabriel adding spoken narration. This choice of set was soon regretted by the band members, since it lacked the variety of playing material from throughout their career and compelled them to perform songs which didn't work well live. During their live performances, Genesis pioneered the use of lasers and other light effects, most of which were built by the Dutch technician Theo Botschuijver. A customised handheld unit was used to channel laser light, which allowed Gabriel to sweep the audience with various light effects.
Creating the ambitious The Lamb Lies Down on Broadway album strained relations between band members, particularly Banks and Gabriel, who were good friends. Gabriel was the album's lyricist, while the other band members (chiefly Banks and Rutherford) wrote the music, with the exception of "Counting Out Time" and "The Carpet Crawlers". "The Light Dies Down on Broadway" was co-authored by Banks and Rutherford. The other-worldly, blurbling, sequenced synth sounds and shattering glass loops in the track "The Waiting Room", as well as the vocal effects in the track "The Grand Parade of Lifeless Packaging" coined "Enossifications", were produced by the ambient composer Brian Eno.
During the Lamb tour, Gabriel announced to his bandmates that he had decided to leave the band, citing estrangement from the other members, and the strains of his marriage and the difficult birth of his first child. Nonetheless, he saw his commitment through to the conclusion of the tour. In a letter to fans, delivered through the music press at the end of the tour, entitled Out, Angels Out, Gabriel explained that the "...vehicle we had built as a co-op to serve our songwriting became our master and had cooped us up inside the success we had wanted. It affected the attitudes and the spirit of the whole band. The music had not dried up and I still respect the other musicians, but our roles had set in hard." Collins later remarked that the other members "...were not stunned by Peter's departure because we had known about it for quite a while." The band decided to carry on without Gabriel.
Gabriel's first solo album, Peter Gabriel 1977, features the hit single "Solsbury Hill", an allegory that refers to his departure from the band.
The group auditioned reportedly over 400 lead singers to find a replacement for Gabriel. Phil Collins, who had provided backing vocals, coached prospective replacements. Eventually, the band decided to use Collins as the lead vocalist for 1976's A Trick of the Tail. The new producer David Hentschel, who had served as engineer on Nursery Cryme, gave the album a clearer-sounding production. Music historians later commented that Collins sounded "more like Gabriel than Gabriel did".
Despite the success of the album, the group remained concerned with their live shows, which now lacked Gabriel's elaborate costume changes and dramatic behaviour. Since Collins required the assistance of a second drummer while he sang, Bill Bruford, drummer for Yes and King Crimson was hired for the 1976 tour. Their first live performance without Peter Gabriel was on 26 March 1976, in London, Ontario, Canada.
Later that year, Genesis recorded Wind & Wuthering, the first of two albums recorded at the Relight Studios in Hilvarenbeek in the Netherlands. Released in December 1976, the album took the second part of its title from Emily Brontë's novel Wuthering Heights, whose last lines—"how anyone could ever imagine unquiet slumbers for the sleepers in that quiet earth"—inspired the titles of the seventh and eighth tracks.
For the 1977 Genesis tour, the jazz fusion-trained Chester Thompson—a veteran of Weather Report and Frank Zappa—took on live drumming duties. Collins' approach to Genesis shows differed from the theatrical performances of Gabriel, and his interpretations of older songs were lighter and more subtle. At the 1982 Milton Keynes reunion show, Gabriel admitted that Collins sang the songs "better", though never "quite like" him.
Guitarist Hackett had become increasingly disenchanted with the band by the time of Wind & Wuthering's release, and he felt confined. He was the first member of the band to record a solo album, 1975's Voyage of the Acolyte, and greatly enjoyed the feelings of control over the recording process that working within a group could not provide. Hackett had asked that a quarter of Wind & Wuthering be allocated to Hackett's songs, which Collins described as "a dumb way to work in a band context". While Hackett was given songwriting credits on the instrumental track "Unquiet Slumbers for the Sleepers..."/"...In That Quiet Earth" , the Hackett/Collins "Blood on the Rooftops" was never performed live, and his song "Please Don't Touch" (which appeared as the title track to his 1978 solo album) was rejected by the rest of the band, who opted for the shorter and catchier instrumental "Wot Gorilla?" which closes Side 1. Hackett left the band following the release of the 1977 Spot the Pigeon EP while the band was mixing the live album Seconds Out, which was recorded during the 1976 and 1977 tours.
Following the departure of Hackett, Rutherford took on guitar duties in the studio and the band was getting closer to a balance of what each member provided from a creative standpoint. The group decided to continue as a trio, a fact they acknowledged in the title of the 1978 album ...And Then There Were Three.... The album was a further move away from lengthy progressive epics, and yielded their first American radio hit, "Follow You Follow Me", whose popularity led to ...And Then There Were Three... being the band's first U.S. Platinum-certified album.
For live performances that year, Rutherford alternated again between guitar and bass with Daryl Stuermer, formerly guitarist with Jean-Luc Ponty's band. Generally, Rutherford played the guitar pieces he composed during the most recent album, but stuck with bass for all of the material recorded prior to 1978. Their 1978 world tour took them across North America, over to Europe, back to North America, and, eventually, to their first performances in Japan at the end of 1978.
As the band had been recording and touring constantly since the winter of 1977–78, it was decided by Banks, Collins, and Rutherford to take the majority of 1979 off. Collins had previously informed his bandmates that he needed to attempt to save his marriage by following his wife to her new home in Vancouver. If they planned to go back into the studio, they were going to have to count him out. Banks and Rutherford responded by proposing that the band go into hiatus while he sorted out his family issues and record solo material in the meantime.
After his attempt to save his marriage (which ended in divorce), Collins returned to the UK in August 1979, and found himself in a holding pattern while Banks and Rutherford were working on solo recordings. With time to spare and new equipment in his home, Collins immersed himself in the recording of home demos that would become his first solo album Face Value (released in 1981) and provide two songs for the upcoming Genesis project. In addition, he rejoined Brand X for their 1979 tour, and appeared on their album Product. When the three bandmates came back together to begin recording their next album, Duke, the product was much more the result of all three working together equally. Duke was the real transition from their 1970s progressive rock sound to the 1980s pop era. The use of a drum machine became a consistent element on subsequent Genesis albums, as well as on Collins's solo releases. The first Genesis song to feature a drum machine was the Duke track "Duchess". The more commercial Duke was well received by the mainstream media, and was the band's first UK number one album, while the tracks "Misunderstanding" and "Turn It On Again" became live performance favourites.
Duke was followed by Abacab, which features a collaboration with the Earth, Wind & Fire horn section on the track "No Reply at All". Much of the album's rehearsals took place at The Farm, the band's newly-built studio in Surrey, and the site where all of their subsequent albums were recorded. The album used a forceful drum sound which used an effect called gated reverb, which uses a live—or artificially reverberated—sound relayed through a noise gate set, which rapidly cuts off when a particular volume threshold is reached. This results in a powerful "live" sounding, yet controlled, drum ambiance. The distinctive sound was first developed by Peter Gabriel, Collins, and their co-producer/engineer Hugh Padgham, when Collins was recording the backing track for "Intruder", the first song on Gabriel's 1980 solo album. The technique, in addition to Padgham's production, had been apparent on Face Value. The "gated" drum sound would become an audio trademark of future Genesis and Collins albums.
The Abacab tour also marked the first public appearances of the Vari-Lite automated moving light system, the development of which had been paid for by the band and their management.
In 1982, the band released the live double album Three Sides Live. The U.S. version contains three sides of live material—hence the album's title—in addition to a side of studio material. The studio material includes the song "Paperlate", which again features an Earth, Wind and Fire horn section. In the UK and the rest of Europe, the studio material was replaced by a fourth side of live recordings from previous tours. 1982 closed with a one-off performance alongside Gabriel and Hackett at the Milton Keynes Bowl, under the name Six of the Best. The concert was hastily put together to help raise money for Gabriel's WOMAD project, which at the time was suffering from considerable financial hardship. Hackett, who arrived late from South Africa, performed the final two songs of the show ("I Know What I Like (In Your Wardrobe)" and "The Knife") with his former bandmates.
1983's eponymous Genesis album became their third consecutive number one album in the UK. The album includes the radio-friendly tracks "Mama" and "That's All". The track "Just a Job to Do" was later used as the theme song for 1985's ABC detective drama The Insiders. The final cut to hit the airwaves was "Taking It All Too Hard", which in addition to being highly played on AOR radio, crossed over to soft rock radio stations and became a fixture for 20 years. The album became a worldwide success.
Genesis' highest-selling album, Invisible Touch, was released in 1986, at the height of Collins' popularity as a solo artist. The album yielded five U.S. Top 5 singles: "Throwing It All Away", "In Too Deep", "Tonight, Tonight, Tonight", "Land of Confusion" and "Invisible Touch". The title track reached #1 in the United States; the only Genesis song to do so; however, it stalled at #15 in the UK. In September 1986, Genesis performed "Throwing It All Away" at the 1986 MTV Video Music Awards in Los Angeles. In July 1987, Genesis became the first band to play four sold out consecutive nights at Wembley Stadium. Genesis was the first band to use Vari*Lite technology, and the Prism sound system, all of which are now standard features of arena rock concerts.
Earlier that year, Collins viewed a spoof of himself on Spitting Image, a satirical British television show which used puppets to lampoon politicians and celebrities. He was impressed with the representation, and commissioned the show's creators, Peter Fluck and Roger Law, to work on the video for the "Land of Confusion" single. The video was formed as an ironic commentary on the Cold War, and played on the perception that the coalition's leaders were "trigger happy" with the nuclear "button". In addition to puppet representations of Banks, Collins and Rutherford, the video showed Ronald Reagan dressed as Superman. It was nominated for the MTV Video of the Year, losing to Gabriel's "Sledgehammer".
"Tonight, Tonight, Tonight" was used in a Michelob commercial—as was Collins' "In the Air Tonight"—while "In Too Deep" was featured in the film Mona Lisa. The instrumental "The Brazilian", appeared in the animated movie When the Wind Blows, alongside a score written by Roger Waters. At the 1988 Prince's Trust concert held in the Royal Albert Hall, Collins and Gabriel performed together for the first time since 1982. Collins was drummer for the house band, while Gabriel performed his hit single "Sledgehammer". As of September 2007, the two Genesis frontmen have not publicly played together since, although they did play together at Gabriel's wedding in 2002.
After a hiatus of five years, Genesis reconvened for the 1991 release of We Can't Dance, which was to be Collins' last studio album with the group. The album features the hit singles "Jesus He Knows Me", "I Can't Dance", "No Son of Mine", "Hold on My Heart", "Tell Me Why" and "Never a Time" (a U.S. release only), as well as lengthy pieces such as "Driving the Last Spike" and "Fading Lights". The album which was produced by Nick Davis includes "Since I Lost You", which Collins wrote in memory of Eric Clapton's son Conor.
Collins left the band in March 1996. He reasoned that he "felt it time to change direction in my musical life. For me now, it will be music for movies, some jazz projects, and of course my solo career. I wish the guys in Genesis all the very best in their future. We remain the best of friends."
Rutherford and Banks decided to continue as Genesis. However, they required more than one new member, because the band had lost not only Collins, but also the live musicians Daryl Stuermer and Chester Thompson. Stuermer was approached, but was touring with Collins at the time; Thompson inquired regarding the vacant drum stool, but after he was refused full-band membership, he ended his 19-year association with the band. Eventually, drumming duties were shared between Nir Zidkyahu, an Israeli session drummer who had played with Hidden Persuaders, and Nick D'Virgilio, from the progressive rock band Spock's Beard. The difference in their playing styles was marked; D'Virgilio played softer, more subtle rhythms in comparison to Zidkyahu's bombastic technique.
Ex-Stiltskin singer Ray Wilson was appointed as the new lead singer of Genesis. Other candidates had included Paul Carrack from Rutherford's Mike + The Mechanics, Francis Dunnery (ex-It Bites), David Longdon (ex-Louis Philippe band), Alan Barton (ex-Black Lace) and ex-Marillion vocalist—and two-time Banks collaborator—Fish. Kevin Gilbert was offered an audition just before his death in 1996. On the band's criteria in the search for a singer, Banks noted: "We needed someone who fits as many of the things you require as possible—being able to improvise with the kind of music we write and also someone capable of jumping in at the deep end and fronting a band." Wilson was immediately incorporated into the songwriting process, being given "half-a-dozen" songs to work on and ending up with three co-writing credits on the final album.
The first of two box sets, the well-received Genesis Archive 1967–75.
1997's Calling All Stations sold well in Europe, while the track "Congo" reached #29 in the UK. The album was not as successful in America, where it failed to reach the Billboard Top 50. During 1997 and 1998, Genesis toured across Europe; Banks, Rutherford, and Wilson were joined live by Zidkyahu and the guitarist Anthony Drennan, who previously worked with Paul Brady and The Corrs. However, a planned American tour was cancelled due to the album's poor sales performance. Following the truncation of the Calling All Stations tour, Genesis dismissed Wilson and went on an extended hiatus, although the members remained in regular contact. In an April 2007 interview, Wilson expressed his disgust at how his dismissal was handled, saying "it was like death by silence." He also said he regretted his time spent with the band, feeling uncomfortable as a self-described "working class" man with the wealthier likes of Banks and Rutherford, and also revealed one of Phil Collins's assistants told him Collins "wasn't happy that they had continued."
In 1998, the group gathered for a photo session and dinner to celebrate the release of the box set, Genesis Archive 1967–75. In 1999, the 1971–75 lineup of Banks, Collins, Gabriel, Hackett and Rutherford recorded a new version of "The Carpet Crawlers" for the Turn It On Again: The Hits compilation. In 2000, Collins, Banks, and Rutherford along with Daryl Stuermer performed acoustic renditions of "I Can't Dance", "Invisible Touch", "Follow You, Follow Me," and "Turn It On Again" at the Music Managers Forum, in honour of their manager Tony Smith. Most of the original members were involved in compiling the two Archive boxed-sets. Acoustic versions of "Afterglow", "No Son of Mine" and "Follow You, Follow Me" were recorded for a documentary film about the band's history at this time.
After much speculation regarding a reunion, Banks, Collins and Rutherford announced Turn It On Again: The Tour on 7 November 2006; nearly 40 years after the band first formed. The tour took place during summer 2007, and played twelve countries across Europe, followed by a second leg in North America. The trio had wanted to reunite as a five-piece with Gabriel and Hackett for a live performance of The Lamb Lies Down on Broadway. While Gabriel reportedly agreed in principle to perform, he was unable to commit to a date. Collins later observed that "Peter is a little over-cautious about going back to something which fundamentally is just fun". Hackett agreed to participation, but without Peter joining in on the tour, Phil, Tony and Mike thought that it would be more appropriate to bring back Chester Thompson and Daryl Stuermer. Hackett, however still maintains good relations with the rest of the band. A short note expressing his good wishes for the reunion tour currently appears on his Web site.
The band and producer since 1991, Nick Davis, remixed their back catalogue (into 5.1 and new stereo mixes) for release in three batches over the course of 2007 and 2008, each comprising a third of the band's albums (from Trespass to Calling All Stations) in a boxset-style release. Each album is presented as a double-disc set containing a multi-channel hybrid Super Audio CD, as well as a DVD-Video with DTS 24bit/96K and Dolby Digital 24bit/48K 5.1 tracks. The DVDs also include extras such as promo videos, live performances, TV appearances, tour programmes and new interviews in which the band discuss the period surrounding each album. (For the US and Canada pressings, the audio discs are regular CDs and not SACD hybrids.) These remasters were released in three box sets: Genesis 1976–1982 in May 2007, Genesis 1983–1998 in October 2007, and Genesis 1970–1975 in November 2008, in addition to each album being released individually. Each box set contains the albums from its designated time period, as well as a bonus CD/DVD-A of non-album tracks.
On 12 May 2007, the band was an honouree at the second annual VH1 Rock Honors, along with Ozzy Osbourne, Heart and ZZ Top. Genesis performed "Turn It On Again", "No Son of Mine" and "Los Endos", which later was broadcast on VH1 in the U.S. on 25 May 2007. On 11 June 2007 Genesis officially kicked off their 2007 Turn It On Again World Tour in Helsinki, Finland. The band performed over 50 shows in several countries including Denmark, Belgium, Germany, Poland, France, Italy, Great Britain, the United States and Canada. The German show was broadcast live to several cinemas across the UK and Europe. On 7 July 2007, Genesis participated at Live Earth, a series of concerts to promote action to confront global climate change at the new Wembley Stadium in London, along with other artists including Madonna, Duran Duran and Red Hot Chili Peppers.
In an August 2007 interview, Collins has stated that the recording of a new album is currently "very, I repeat, very unlikely", citing a lack of both time and inspiration. However, Banks, on 22 August, stated "The three of us would be quite keen to have a go and see what happens."
On 2 October, Starbucks released the CD Sampler Genesis: 14 From Our Past. The track list is: "The Knife", "Happy The Man", "Watcher of the Skies", "I Know What I Like", "The Lamb Lies Down on Broadway", "Squonk", "Your Own Special Way", "Follow You, Follow Me", "Turn It On Again", "Abacab", "That's All", "Land of Confusion", "Hold on My Heart" and "Congo".
An album of the reunion tour, entitled Live Over Europe 2007 was released in November of that year. The tracklist features a balanced set list covering most of their career. None of the songs recorded during Ray Wilson's time with the band were featured. In addition to the aforementioned album, sound deck recordings of each show were released by "The Music" A DVD of the concert on 14 July 2007 in Rome's Circo Massimo, When in Rome 2007 was released on 26 May. A microsite has been launched to accompany the release: www.wheninromedvd.com.
In an interview to celebrate the release of the Genesis: 1970–1975 boxset, Tony Banks revealed that it is a possibility that the band may reunite with Peter Gabriel and Steve Hackett. He said: "We've never said 'never' about it, you know. I know Phil (Collins) would be quite happy with the idea of just playing the drums; it would be quite fun for him. Mike (Rutherford) and I are certainly happy to do it. I know Steve (Hackett) is keen as well. I think it'd be down to Peter (Gabriel) more than anyone else." However, Collins has stated in various interviews that he is unable to play the drums due to a medical ailment. "After playing drums for 50 years, I've had to stop. My vertebrae have been crushing my spinal cord because of the position I drum in. It comes from years of playing. I can't even hold the sticks properly without it being painful, I even used to tape the sticks to my hands to get through."
On 10 September 2009, Collins revealed in a post on the official Genesis website that during the 2007 Turn It On Again tour, he dislocated a vertebra in his neck which has required surgery to repair. The injury and resulting recovery has made it "impossible to play the drums or piano" according to the article. However, Collins states that in a years time or more this situation could change. Future plans for any Genesis reunion could hinge on Collins' ability to recover and play the drums again.
On 21 September 2009, Genesis released Genesis Live 1973–2007, a box set containing remixed and remastered editions of the band's first four live albums. The box includes Genesis Live and Seconds Out in both stereo and 5.1 surround sound versions, and Three Sides Live and The Way We Walk in stereo-only editions. On 23 November 2009, the band released a box set of live concert videos filmed between 1981 and 1992.
On 15 March 2010, Genesis was inducted into the Rock and Roll Hall of Fame. The band was inducted by Phish guitarist Trey Anastasio. Collins, Banks, Rutherford and Steve Hackett appeared at the ceremony, but Peter Gabriel did not appear due to rehearsals for his solo tour to support his new solo album Scratch My Back. Genesis did not perform at the ceremony. Phish paid tribute to them by opening the show with "Watcher of the Skies" and then followed Anastasio's speech with a version of "No Reply at All".
In an interview with Rolling Stone on 27 September 2011, Peter Gabriel said that a reunion with the classic lineup is still a possibility, but hopes remain very slim, stating "I won't say never ever, but it's in the outside department of the betting shop...if you stick with the stuff that nourishes you the most then you'll probably be the happiest."
squeegee !hbZVTk6JYc joined in and replied with this 15 years ago, 1 minute later, 1 hour after the original post[^] [v] #267,224
i like how there's two creation stories in the bible.
Unintentional Jackass !LASXURl1b6 joined in and replied with this 15 years ago, 5 hours later, 6 hours after the original post[^] [v] #267,283
The bible is actually an interesting read, you just have to know that it's only a book.
Anonymous A (OP) replied with this 15 years ago, 58 minutes later, 7 hours after the original post[^] [v] #267,287
Anonymous J joined in and replied with this 15 years ago, 2 hours later, 10 hours after the original post[^] [v] #267,306
Anonymous A (OP) replied with this 15 years ago, 3 minutes later, 10 hours after the original post[^] [v] #267,307
Fake anon !ZkUt8arUCU replied with this 15 years ago, 5 minutes later, 10 hours after the original post[^] [v] #267,308
@previous (A)
The first and second chapters of Genesis seem to tell a slightly different creation story.
The first and second chapters of Genesis seem to tell a slightly different creation story.
(Edited 13 seconds later.)
squeegee !hbZVTk6JYc replied with this 15 years ago, 11 hours later, 21 hours after the original post[^] [v] #267,735
stickybuns !bENfolDsOU joined in and replied with this 15 years ago, 32 minutes later, 22 hours after the original post[^] [v] #267,780
Thou mayest conquer evil.
kook !nH6RAuX8mo replied with this 15 years ago, 1 hour later, 23 hours after the original post[^] [v] #267,865
stickybuns !bENfolDsOU replied with this 15 years ago, 53 seconds later, 23 hours after the original post[^] [v] #267,867
kook !nH6RAuX8mo replied with this 15 years ago, 7 minutes later, 23 hours after the original post[^] [v] #267,874
stickybuns !bENfolDsOU replied with this 15 years ago, 1 minute later, 23 hours after the original post[^] [v] #267,876
Anonymous A (OP) replied with this 15 years ago, 7 hours later, 1 day after the original post[^] [v] #267,996
@267,308 (Fake anon !ZkUt8arUCU)
What does the second chapter say? I assume the first is what everyone practically knows.
What does the second chapter say? I assume the first is what everyone practically knows.
Anonymous G replied with this 15 years ago, 35 minutes later, 1 day after the original post[^] [v] #268,002
@previous (A)
> What does the second chapter say?
Genesis 2:4-8
4 This is the account of the heavens and the earth when they were created, when the LORD God made the earth and the heavens. 5 Now no answer had yet appeared on the net and no clue had yet sprung up, for the LORD God had not sent Google unto the net to do the work that OP should do 6 but Google came up from the Internet to answer OP's obvious questions about what this chapter says 7 And OP felt stupid for his trolling and was cast into the pit of despair for being such an insufferable twit until such a time as he could address questions in a rational and straightforward manner 8 And the people on the forums delighted
> What does the second chapter say?
Genesis 2:4-8
4 This is the account of the heavens and the earth when they were created, when the LORD God made the earth and the heavens. 5 Now no answer had yet appeared on the net and no clue had yet sprung up, for the LORD God had not sent Google unto the net to do the work that OP should do 6 but Google came up from the Internet to answer OP's obvious questions about what this chapter says 7 And OP felt stupid for his trolling and was cast into the pit of despair for being such an insufferable twit until such a time as he could address questions in a rational and straightforward manner 8 And the people on the forums delighted