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OK, Georges Bizet - "Les Toreadors" from "Carmen Suite No. 1"
"Under the oppressive heat of the Spanish sun, the restless Carmen takes pleasure in desire. Attracting the attention of Don José, she warns him not to fall in love with her. But José is willing to risk everything for Carmen – and will do so at whatever cost." https://www.rbo.org.uk/opera-essentials-carmen
boof (OP) double-posted this 2 weeks ago, 2 days later, 5 days after the original post[^][v]#1,419,663
Well Mr. Bach has one heck of lot of familiar tunes. I've only added this one very recently.
Johann Sebastian Bach - "Badinerie" from "Suite No. 2 in B minor, BWV 1067"
wiki says that the term badinerie is also called a scherzo. "The Italian word scherzo means "joke" or "jest." More rarely, the similar-meaning word badinerie (also spelled battinerie; from French, "jesting") has been used." As a musical term: "a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often refers to a movement that replaces the minuet as the third movement in a four-movement work, such as a symphony, sonata, or string quartet. The term can also refer to a fast-moving humorous composition that may or may not be part of a larger work."
boof (OP) triple-posted this 1 week ago, 1 day later, 1 week after the original post[^][v]#1,420,063
Samuel Barber - "Adagio for Strings", second movement of String Quartet, Op. 11.
You almost certainly have heard this if you have watched many movies or much television, as wiki says: Adagio for Strings can also be heard on many film and television soundtracks, including The Elephant Man (1980), Platoon (1986), Lorenzo's Oil (1992), and Outlander (2019). More comedic or lighthearted uses of it have appeared in the film Amélie (2001) and on episodes of the sitcoms Seinfeld, The Simpsons, American Dad!, and South Park.
boof (OP) quadruple-posted this 1 week ago, 1 day later, 1 week after the original post[^][v]#1,420,424
Wolfgang Amadeus Mozart - "II. Andante" from "Piano Concerto No. 21 in C major, K. 467"
This Mozart fella made plenty of familiar tunes. Wiki says that Neil Diamond's 1972 song "Song Sung Blue" was based on a theme this movement of this concerto.
boof (OP) replied with this 1 week ago, 1 day later, 1 week after the original post[^][v]#1,420,725
Franz Liszt - Hungarian Rhapsody No.2 (Orchestra version) (familiarity at 6:50 in)
https://www.britannica.com/topic/Hungarian-Rhapsody-No-2
Originally composed in 1851 for solo piano, the work was soon converted into orchestral form by Liszt’s colleague, Franz Doppler, who also added a piano duet version more than two decades after the original solo work.
Born in what is now Austria of Hungarian heritage, Liszt spent most of his life abroad; although his grasp of the Hungarian language was highly limited, this did not prevent him from loving his native land. On visits to Hungary in the 1840s, he compiled a collection of folk melodies, drawn from both the Magyar and the Romany (Gypsy) traditions. These pieces served as source material for Liszt’s Hungarian Rhapsodies
Anonymous C replied with this 1 week ago, 3 hours later, 1 week after the original post[^][v]#1,420,753
"Entrance of the Gladiators," Op. 68 is widely known as The Clown Theme Song; however, the piece was originally composed in 1897 by Czech composer Julius Fučík as a Military March for the Austro-Hungarian Army. https://www.youtube.com/watch?v=1ayD0Jc_mb4
boof (OP) double-posted this 5 days ago, 1 day later, 2 weeks after the original post[^][v]#1,421,179
Luigi Boccherini - "Minuetto" ("Minuet") from "The String Quintet in E Major, Op. 11, No. 5 (G 275)"
"In the beginning of the movement, the first violin plays a simple, elegant melody, while the viola and cello have eighth note pizzicato. The second violin, on the other hand, has quick sixteenth note slurs which contain many string crossings. As Elisabeth Le Guin puts it in Boccherini’s Body: An Essay in Carnal Musicology, "The second violinist has no time for galanterie; he must concentrate on keeping the constant string crossings reasonable even through the length of the bow."" https://en.wikipedia.org/wiki/String_Quintet_in_E_major,_Op._11,_No._5_(Boccherini)
boof (OP) triple-posted this 3 days ago, 2 days later, 2 weeks after the original post[^][v]#1,421,605
George Gershwin - "Rhapsody in Blue"
“It was on the train, with its steely rhythms, its rattle-ty bang, that is so often so stimulating to a composer ... I frequently hear music in the very heart of the noise. And there I suddenly heard – and even saw on paper – the complete construction of the rhapsody, from beginning to end." https://www.winspearcentre.com/extra/blog/the-legendary-story-behind-gershwins-rhapsody-in-blue/
boof (OP) replied with this 20 hours ago, 3 days later, 2 weeks after the original post[^][v]#1,421,890
Felix Mendelssohn - "Allegretto grazioso: Frühlingslied" (A major), MWV U 161 aka "Spring Song" from "Song Without Words Book 5, Opus 62"
The works were part of the Romantic tradition of writing short lyrical pieces for the piano, although the specific concept of "Songs Without Words" was new.
Mendelssohn himself resisted attempts to interpret the songs too literally, and objected when his friend Marc-André Souchay sought to put words to them to make them literal: "What the music I love expresses to me, is not thought too indefinite to put into words, but on the contrary, too definite".
Song No. 6 "Spring Song" was also sometimes known in England as "Camberwell Green", being the place in London where Mendelssohn composed it while staying with the Benneckes, relatives of his wife. https://en.wikipedia.org/wiki/Songs_Without_Words