Topic: Asian women are disgusting
Anonymous A started this discussion 4 months ago #122,106
Miller (OP) double-posted this 4 months ago, 48 seconds later[^] [v] #1,334,075
Hideous. Last resorts for incels.Anonymous B joined in and replied with this 4 months ago, 1 minute later, 2 minutes after the original post[^] [v] #1,334,077
boof joined in and replied with this 4 months ago, 21 minutes later, 24 minutes after the original post[^] [v] #1,334,078
Anonymous D joined in and replied with this 4 months ago, 4 seconds later, 24 minutes after the original post[^] [v] #1,334,079
The hapa child you leave behind will get knocked up by another white foreigner and birth ¾whites. It's a process.
Anonymous E joined in and replied with this 4 months ago, 2 hours later, 3 hours after the original post[^] [v] #1,334,095
@1,334,078 (boof)
I like to think they started painting the name and panicked when it got to the end and there wasn't enough space
I like to think they started painting the name and panicked when it got to the end and there wasn't enough space
Anonymous F joined in and replied with this 4 months ago, 4 hours later, 7 hours after the original post[^] [v] #1,334,136
boof replied with this 4 months ago, 5 seconds later, 7 hours after the original post[^] [v] #1,334,137
Kook !!rcSrAtaAC joined in and replied with this 4 months ago, 1 hour later, 9 hours after the original post[^] [v] #1,334,141
What a weird thing to type
Anonymous H joined in and replied with this 4 months ago, 1 day later, 1 day after the original post[^] [v] #1,334,321
Asia? So Pakistan to India to Indonesia to China to Japan.Could you be more specific?
meals joined in and replied with this 4 months ago, 46 minutes later, 1 day after the original post[^] [v] #1,334,323
Oh shit. Am I an incel?
boof replied with this 4 months ago, 2 hours later, 1 day after the original post[^] [v] #1,334,340
Anonymous E replied with this 4 months ago, 28 minutes later, 1 day after the original post[^] [v] #1,334,349
boof replied with this 4 months ago, 4 minutes later, 1 day after the original post[^] [v] #1,334,351
Anonymous E replied with this 4 months ago, 10 minutes later, 1 day after the original post[^] [v] #1,334,354
@previous (boof)
Title: Lolita: A Journey Through Americana
Concept: This reinterpretation of Lolita stays true to the novel’s core themes of obsession and moral decay but frames its setting with a surreal twist: occasional cameos by the sentient vehicles from Cars. These appearances serve as symbolic reflections of the main character's deteriorating psyche, his feelings of alienation in modernity, and the cold, mechanized nature of his desires.
---
Plot Summary:
Opening Scene:
Humbert Humbert, a European academic, narrates his tragic tale of obsession with Dolores "Lolita" Haze, a precocious 12-year-old girl, as he journeys through mid-century America. He accepts a teaching position in a quaint, forgotten town and rents a room in the home of Charlotte Haze, Lolita's widowed mother. The world around him is steeped in 1950s Americana: roadside diners, neon-lit motels, and long, open highways.
First Cameo:
While driving to the Haze house, Humbert spots a shiny red racecar parked in front of a diner. It’s Lightning McQueen, seemingly out of place in this era, revving his engine as if to challenge Humbert. The scene is unsettling, with the car almost watching him. Humbert ignores it, brushing off the moment as a figment of his imagination.
---
Act I – The Seduction of Suburbia:
Humbert becomes infatuated with Lolita, describing her as both a child and a femme fatale. His obsession grows under the guise of being a "caring guardian." After Charlotte’s sudden death, Humbert takes Lolita on a cross-country road trip, ostensibly to bond with her but really to isolate her from the world.
Cameo Interactions:
The Cars characters begin appearing sporadically throughout their journey.
At a gas station, Mater awkwardly comments, “You’re lookin’ like trouble, buddy,” seemingly directed at Humbert. The encounter leaves Humbert feeling exposed.
On a lonely stretch of highway, Sally speeds past their car, a brief blur of blue, as Lolita waves enthusiastically. Humbert, disquieted, wonders why she seems happier around the vehicles than with him.
---
Act II – The American Dream Distorted:
As Humbert spirals deeper into his obsession, the road trip becomes more surreal.
They visit roadside attractions that feel increasingly uncanny, with abandoned amusement parks and diners populated by sentient vehicles. Lightning McQueen appears again, this time racing in an empty field, an unsettling juxtaposition to Humbert’s internal torment.
Lolita befriends the Cars characters during a pit stop in Radiator Springs, where Doc Hudson teaches her to drive. Humbert, seething with jealousy, watches as these animated machines give Lolita a sense of freedom he cannot control.
Themes Emerge:
The Cars characters are symbolic, representing innocence, freedom, and the unrelenting march of time—everything Humbert cannot control. As they appear more frequently, Humbert begins to resent them, seeing them as reflections of his moral corruption.
---
Act III – Descent into Madness:
The road trip grows darker as Lolita’s demeanor shifts from playful to distant. She eventually escapes Humbert, leaving him to wander alone. In his solitude, the Cars characters haunt him relentlessly:
Lightning McQueen taunts him in his dreams, speeding circles around him as if to judge his failures.
Mater delivers a monologue, eerily human, about how some “wrecks” aren’t worth repairing.
In the final act, Humbert faces Clare Quilty, Lolita’s older suitor, in a violent confrontation. Quilty drives a sinister, blackened car resembling Jackson Storm from Cars 3, symbolizing a darker, more cynical view of the world. This showdown, framed as a car chase, ends with Humbert’s realization of his irredeemable nature.
---
Ending:
Humbert, broken and alone, ends his journey in a junkyard, surrounded by silent, rusting cars that stare at him with vacant headlights. As he reflects on his actions and the life he destroyed, Lightning McQueen’s voice echoes faintly: “It’s not the miles; it’s how you drive.”
The final shot lingers on an empty stretch of highway, the horizon symbolizing a freedom Humbert will never have.
---
Themes:
Freedom vs. Obsession: The sentient cars symbolize freedom and innocence, contrasting Humbert’s manipulative control over Lolita.
Moral Decay in Americana: The road trip exposes the dark underbelly of the American Dream, with the Cars characters highlighting the contrast between joy and Humbert’s internal corruption.
Surrealism and Alienation: The Cars cameos reflect Humbert’s growing alienation and delusion, blending reality and imagination.
---
This surreal crossover would be both unsettling and thought-provoking, using the whimsical Cars characters as haunting symbols of innocence and Humbert’s unraveling. It serves as a modern critique of obsession and the fragility of freedom.
Title: Lolita: A Journey Through Americana
Concept: This reinterpretation of Lolita stays true to the novel’s core themes of obsession and moral decay but frames its setting with a surreal twist: occasional cameos by the sentient vehicles from Cars. These appearances serve as symbolic reflections of the main character's deteriorating psyche, his feelings of alienation in modernity, and the cold, mechanized nature of his desires.
---
Plot Summary:
Opening Scene:
Humbert Humbert, a European academic, narrates his tragic tale of obsession with Dolores "Lolita" Haze, a precocious 12-year-old girl, as he journeys through mid-century America. He accepts a teaching position in a quaint, forgotten town and rents a room in the home of Charlotte Haze, Lolita's widowed mother. The world around him is steeped in 1950s Americana: roadside diners, neon-lit motels, and long, open highways.
First Cameo:
While driving to the Haze house, Humbert spots a shiny red racecar parked in front of a diner. It’s Lightning McQueen, seemingly out of place in this era, revving his engine as if to challenge Humbert. The scene is unsettling, with the car almost watching him. Humbert ignores it, brushing off the moment as a figment of his imagination.
---
Act I – The Seduction of Suburbia:
Humbert becomes infatuated with Lolita, describing her as both a child and a femme fatale. His obsession grows under the guise of being a "caring guardian." After Charlotte’s sudden death, Humbert takes Lolita on a cross-country road trip, ostensibly to bond with her but really to isolate her from the world.
Cameo Interactions:
The Cars characters begin appearing sporadically throughout their journey.
At a gas station, Mater awkwardly comments, “You’re lookin’ like trouble, buddy,” seemingly directed at Humbert. The encounter leaves Humbert feeling exposed.
On a lonely stretch of highway, Sally speeds past their car, a brief blur of blue, as Lolita waves enthusiastically. Humbert, disquieted, wonders why she seems happier around the vehicles than with him.
---
Act II – The American Dream Distorted:
As Humbert spirals deeper into his obsession, the road trip becomes more surreal.
They visit roadside attractions that feel increasingly uncanny, with abandoned amusement parks and diners populated by sentient vehicles. Lightning McQueen appears again, this time racing in an empty field, an unsettling juxtaposition to Humbert’s internal torment.
Lolita befriends the Cars characters during a pit stop in Radiator Springs, where Doc Hudson teaches her to drive. Humbert, seething with jealousy, watches as these animated machines give Lolita a sense of freedom he cannot control.
Themes Emerge:
The Cars characters are symbolic, representing innocence, freedom, and the unrelenting march of time—everything Humbert cannot control. As they appear more frequently, Humbert begins to resent them, seeing them as reflections of his moral corruption.
---
Act III – Descent into Madness:
The road trip grows darker as Lolita’s demeanor shifts from playful to distant. She eventually escapes Humbert, leaving him to wander alone. In his solitude, the Cars characters haunt him relentlessly:
Lightning McQueen taunts him in his dreams, speeding circles around him as if to judge his failures.
Mater delivers a monologue, eerily human, about how some “wrecks” aren’t worth repairing.
In the final act, Humbert faces Clare Quilty, Lolita’s older suitor, in a violent confrontation. Quilty drives a sinister, blackened car resembling Jackson Storm from Cars 3, symbolizing a darker, more cynical view of the world. This showdown, framed as a car chase, ends with Humbert’s realization of his irredeemable nature.
---
Ending:
Humbert, broken and alone, ends his journey in a junkyard, surrounded by silent, rusting cars that stare at him with vacant headlights. As he reflects on his actions and the life he destroyed, Lightning McQueen’s voice echoes faintly: “It’s not the miles; it’s how you drive.”
The final shot lingers on an empty stretch of highway, the horizon symbolizing a freedom Humbert will never have.
---
Themes:
Freedom vs. Obsession: The sentient cars symbolize freedom and innocence, contrasting Humbert’s manipulative control over Lolita.
Moral Decay in Americana: The road trip exposes the dark underbelly of the American Dream, with the Cars characters highlighting the contrast between joy and Humbert’s internal corruption.
Surrealism and Alienation: The Cars cameos reflect Humbert’s growing alienation and delusion, blending reality and imagination.
---
This surreal crossover would be both unsettling and thought-provoking, using the whimsical Cars characters as haunting symbols of innocence and Humbert’s unraveling. It serves as a modern critique of obsession and the fragility of freedom.
boof replied with this 4 months ago, 22 minutes later, 1 day after the original post[^] [v] #1,334,358
Anonymous J joined in and replied with this 4 months ago, 12 hours later, 2 days after the original post[^] [v] #1,334,417
Julia Boin…… oh wow
Kook !!rcSrAtaAC replied with this 4 months ago, 4 hours later, 2 days after the original post[^] [v] #1,334,430
Anonymous K joined in and replied with this 3 months ago, 2 weeks later, 2 weeks after the original post[^] [v] #1,336,837
🤧
Cato joined in and replied with this 3 months ago, 5 hours later, 2 weeks after the original post[^] [v] #1,336,864
Anonymous M joined in and replied with this 3 months ago, 3 hours later, 2 weeks after the original post[^] [v] #1,336,888
Anonymous N joined in and replied with this 3 months ago, 6 hours later, 2 weeks after the original post[^] [v] #1,336,929
Anonymous O joined in and replied with this 3 months ago, 16 hours later, 2 weeks after the original post[^] [v] #1,337,037
@previous (N)
They are a "little bit gay". It's like if you watch too much blowjob porn, you start to appreciate the shape of a peepee and think maybe you should try it one day. That's as far as it goes for most guys.
Here's a NSFW video on the process.
https://spankbang.com/3zv3j/video/do+you+have+a+cum+fetish
They are a "little bit gay". It's like if you watch too much blowjob porn, you start to appreciate the shape of a peepee and think maybe you should try it one day. That's as far as it goes for most guys.
Here's a NSFW video on the process.
https://spankbang.com/3zv3j/video/do+you+have+a+cum+fetish
(Edited 3 minutes later.)
Anonymous J replied with this 3 months ago, 1 day later, 2 weeks after the original post[^] [v] #1,337,235
Julia Kyoka is the goat.
Green !!bO/s3MBcD joined in and replied with this 3 months ago, 29 minutes later, 2 weeks after the original post[^] [v] #1,337,240
I like them!
Anonymous Q joined in and replied with this 3 months ago, 19 hours later, 2 weeks after the original post[^] [v] #1,337,335
Anonymous Q double-posted this 3 months ago, 25 seconds later, 2 weeks after the original post[^] [v] #1,337,336
Anonymous Q triple-posted this 3 months ago, 26 seconds later, 2 weeks after the original post[^] [v] #1,337,337
Anonymous Q quadruple-posted this 3 months ago, 1 minute later, 2 weeks after the original post[^] [v] #1,337,338
Anonymous Q quintuple-posted this 3 months ago, 1 minute later, 2 weeks after the original post[^] [v] #1,337,339
Anonymous Q sextuple-posted this 3 months ago, 19 seconds later, 2 weeks after the original post[^] [v] #1,337,340
Anonymous Q septuple-posted this 3 months ago, 1 minute later, 2 weeks after the original post[^] [v] #1,337,341
@1,334,321 (H)
> Asia? So Pakistan to India to Indonesia to China to Japan.
> Could you be more specific?
When someone says Asian you know what they mean.
That sort of Asian.
> Asia? So Pakistan to India to Indonesia to China to Japan.
> Could you be more specific?
When someone says Asian you know what they mean.
That sort of Asian.
Anonymous Q octuple-posted this 3 months ago, 26 seconds later, 2 weeks after the original post[^] [v] #1,337,342
Anonymous H replied with this 5 days ago, 3 months later, 4 months after the original post[^] [v] #1,362,237
2% of the world's human population have blonde hair.Anonymous M replied with this 1 day ago, 3 days later, 4 months after the original post[^] [v] #1,363,111
Green !!bO/s3MBcD replied with this 1 day ago, 13 hours later, 4 months after the original post[^] [v] #1,363,175
